The groups are going to continue, on a self help basis. So I will leave this blog in place so that groups can access all the old work as a resource......
Friday, 11 July 2014
CAWSTON
and here is some of the work from Cawston, and I am through I love these vigorous and dynamic formulae I am starting to crave subtlety....so lets see how that pans out next week!
Saturday, 5 July 2014
Monday afternoon Portrait Class
here is some of the work from the Monday afternoon PORTRAIT class.
I want to continue with this format next term, I have found these sessions interesting and stimulating.
What do you think? let me know please, I try to provide what you want, and some challenge too!
I want to continue with this format next term, I have found these sessions interesting and stimulating.
What do you think? let me know please, I try to provide what you want, and some challenge too!
RESEARCH.....
You could just look up a few artists, and a gallery, to help with the upcoming work
Elaine Pamphilon
Debbie George,
Mary Sumner,
Helen Herbert,
Red Rag Gallery,
Tessa Newcomb,
Mary Newcomb,
and Mary Feddon.
Elaine Pamphilon
Debbie George,
Mary Sumner,
Helen Herbert,
Red Rag Gallery,
Tessa Newcomb,
Mary Newcomb,
and Mary Feddon.
Friday, 4 July 2014
up to date work...
Some lovely examples of work from Marsham....and I have to let you into a little secret here, when I photograph your work to put it up here I do 'enhance' the colours on my 'edit 'program ( it just raises the colour value a little, doesn't change anything) on the computer, because subtleties and colour quality can easily become diminished by the time a photograph has been taken and then transferred to the computer image, but now the background showing off the pictures is so dark as well they really do show up, and I'm worrying that they look brash here, though in reality I don't think they do.
Natural Surroundings or the Wildflower Centre at Bayfield Hall, Holt.
...our Summer School went well, as always, and it is interesting that you never quite know what will come out of an experience, and on this occasion one of the things that came out of it was a sort of water colour workshop because though the first day was gloriously warm and sunny and everyone got on well outside,
the second day rained lightly, and then it rained a bit more so we were driven to work in the Chalet and it was technique which people were interested in investigating, so that is what we did.
So this all made me think that a WATERCOLOUR WORKSHOP BASED AT THE SAME VENUE COULD PROVE ENJOYABLE AND VERY USEFUL FOR THOSE OF YOU WHO LOVE LANDSCAPE. Therefore I have arranged it for September 9th, 10th, 11th, Tuesday, Wednesday and Thursday. The Schools will have started term so there are unlikely to be children about, and our term starts the following week so really this seemed to me to be the best time.
I will include techniques I think helpful, some based on Chinese Brush painting plus use of gouache and ink in conjunction with watercolour. As you know I am always looking for a less hackneyed and fresh way of working, I like to get away from cliché, and experiment. Remember we don't (I don't anyway) want to add to the huge pile of boring paintings which already exist in the world!
I will give you all details of this Summer School during the week. Times will be 10-4, cost £85, the plan will be studio practise and learning then outside to put new skills into action. There is a good cafe, loo and undercover working space.
| a view from the river up to the trees behind Bayfield Hall |
So this all made me think that a WATERCOLOUR WORKSHOP BASED AT THE SAME VENUE COULD PROVE ENJOYABLE AND VERY USEFUL FOR THOSE OF YOU WHO LOVE LANDSCAPE. Therefore I have arranged it for September 9th, 10th, 11th, Tuesday, Wednesday and Thursday. The Schools will have started term so there are unlikely to be children about, and our term starts the following week so really this seemed to me to be the best time.
I will include techniques I think helpful, some based on Chinese Brush painting plus use of gouache and ink in conjunction with watercolour. As you know I am always looking for a less hackneyed and fresh way of working, I like to get away from cliché, and experiment. Remember we don't (I don't anyway) want to add to the huge pile of boring paintings which already exist in the world!
I will give you all details of this Summer School during the week. Times will be 10-4, cost £85, the plan will be studio practise and learning then outside to put new skills into action. There is a good cafe, loo and undercover working space.
Tuesday, 1 July 2014
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